When I’d first discovered that the roster for Best Animation at the 2018 Oscars had included some rather sub-par Hollywood-based productions such as Dreamworks’ Boss Baby and Blue Sky’s Ferdinand that were competing alongside some visually innovative and even ground-breaking international releases such as the spectacular UK-produced Loving Vincent, along with Cartoon Saloon’s 2017 production: The Breadwinner, I was somewhat disillusioned.
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