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Animation

The Boy and the Heron: A Young Man’s Symbolic Journey through Grief

By | Adventure, Animation, Anime | No Comments

**Spoilers**

As an animation enthusiast, I am admittedly a latecomer in experiencing Hayao Miyazaki’s long-celebrated gallery of animated storytelling. I regrettably had never experienced the spellbinding masterpiece that was Spirited Away when it arrived at Western theatres in 2001. The first time I viewed Howl’s Moving Castle, it was in French and without English subtitles, so I had no real idea as to what was going on. The first Studio Ghibli movie I went to the cinema to see proper was Ponyo back in early 2010. It was a fun, colourful and vibrantly animated viewing experience. However, it felt much too cutesy and saccharine for my liking, as it catered to a much younger audience. Consequently, it lacked the robustness and emotional depth that Miyazaki’s productions were known for. Suffice to say, It wasn’t an ideal first impression of his filmography. After recently viewing his earlier works; Kiki’s Delivery Service, Nausicaa, of the Valley of the Wind and Princess Mononoke I recognised how Miyazaki had become a household name in animated cinema. His library is rich with nuanced fantastical storytelling, strong and compelling character writing, and sumptuously detailed backgrounds and animation.

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The Breadwinner: How Fairy Tales are used to Cope in a World of Oppression and War.

By | Animation, Drama | No Comments
Originally written on June 6 2018:

**Spoilers**

Ever since I had first viewed Tom Moore’s Song of the Sea back in 2015, our local, Kilkenny-based animation studio, Cartoon Saloon had filled me with both a personal sense of pride for Ireland’s steadily growing animation scene as well as a general wonder and awe for international animated cinema as a whole, given the studio’s multiple nominations at the academy awards. The fact that the studio doesn’t conform to Disney’s contemporary 3D model of animation like the grand majority of Hollywood animation studios nowadays gives me a newfound optimism that 2D animation in contemporary cinema hasn’t been completely supplanted. However, as much as the studio’s previous productions under Tom Moore, The Secret of Kells (2009) and Song of the Sea (2014) have held a firm place in my heart, they mostly came across as straightforward but loving tributes to Hayao Miyazaki’s style of mythology-themed, visual-driven animation, but didn’t provide a particularly deep narrative vision outside of that. All that being said, however, their 2017 production, and solo debut under Nora Twomey, The Breadwinner had exceeded my expectations tremendously, as it confronts, with brutal honesty, surprisingly mature and very real cultural issues that its more accessible predecessors would, at times, touch upon, but not explore too in-depth.

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A Silent Voice: A Touching Pursuit of Reconciliation and Self-Love.

By | Animation, Anime, Drama, Slice of Life | No Comments
**Spoilers**

When it comes to addressing delicate and uncomfortable subject matter such as bullying, depression, or suicide within a fictional narrative, a writer must take great care in considering the various nuances and complexities that these issues entail in providing an honest and meaningful discussion surrounding them. Some narratives that tackle these issues can, unfortunately, fall into the trap of oversimplifying them and end up coming across as contrived, disingenuous, and even problematic as a result. A Silent Voice (2016) is not one of those narratives. This 130-minute long anime movie delivers a hard-hitting, poignant yet mindful assessment of the pervasiveness of bullying and the many forms it can take, the struggles and anxieties that people with disabilities face in connecting and communicating with others, and ultimately, the journey towards self-forgiveness and self-discovery. It is a stunningly beautiful and heartfelt piece of animation that speaks volumes of the potential of anime as an artistic medium to critically evaluate sensitive topics with the level of sincerity and nuance that they deserve.

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Toy Story 4: A World of Toys that Still has a Story to Tell.

By | Adventure, Animation, Comedy | No Comments

**Spoilers**

It’s been a good nine years since Toy Story’s third installment had been released. A film that was once universally regarded to be the definitive and beautifully bittersweet capstone of the genre-defining Toy Story films. But, knowing Disney’s habit of capitalizing on its more nostalgic properties as of late, the release of a fourth installment to this beloved franchise was, more or less, to be expected, albeit with relative scepticism of its quality compared to its predecessors. With a new director, Josh Cooley at the helm along with writers leaving the project due to creative differences, and an almost 2-year delay of the film due to other projects, such as The Incredibles 2, audiences were nervous that Toy Story 4 was doomed to fall short of their expectations set by previous installments. For nine years, audiences were convinced that the potential of Toy Story had been fully realized, but with Toy Story 4, this make-believe world of charm and wonder could still breathe new life into the toys that inhabit it.


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Coco: An Animated Pixar Gem paying tribute to Día de Muertos.

By | Adventure, Animation | No Comments
**Spoilers**

When I’d first discovered that the roster for Best Animation at the 2018 Oscars had included some rather sub-par Hollywood-based productions such as Dreamworks’ Boss Baby and Blue Sky’s Ferdinand that were competing alongside some visually innovative and even ground-breaking international releases such as the spectacular UK-produced Loving Vincent, along with Cartoon Saloon’s 2017 production: The Breadwinner, I was somewhat disillusioned.
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